More than thirty participants waited actively, looking for a secret garden in their own living spaces. A painting is left outdoors for 4 days, even 40 days, collecting fallen leaves and insects. The traces witness the transformation of time and the process of material decay — existence turning toward non-existence. Part of the self is set down, allowing nature to flow through the work. Animals unexpectedly joined, leaving scratches and dug earth. The work is a collaborative trace of people, animals, and nature.
